Now, gentle reader, allow me to introduce the protagonist of our
story. Lilith de Nemo was once of a respected line, but now she is de
Nemo, “of nobody.” Her family, the de Magi line, were powerful sorcerers
with command over the elements. They were businessmen, and had thrived
under the reign of King Adelbern. Adelbern is not of the line of Thorn.
Rather, he married into the royal family, and his bride died under
mysterious circumstances soon after the birth of their son Rurik, which
cemented Adelbern’s claim to the throne.
Adelbern believed in good business. He opened up negotiations with
Orr and even hated Kryta, withdrawing Ascalon from the Guild Wars. For
twenty years he focused on rebuilding Ascalon’s wealth and pillaging the
Charr to the north for the wealth they had accumulated during the Guild
Wars, which was, for them, a time of peace and prosperity much akin to
what Ascalon experiences now.
Lilith’s old family, the de Magi, flourished under Adelbern. But
Lilith herself was discontent with their money-grubbing ways. To her,
the Royalists spun a more appealing tale, a tale of days when carnage
and chaos in the name of Thorn covered all the world. Ascalon was poor,
yes, but its nobles were rich off the spoils of war and the blood of
their enemies. Lilith shunned the study of the elements. Her interest in
the black arts was an open secret, and her idol was Prince Rurik.
Prince Rurik was an avid supporter of the Royalist position, if not
of their banditry. He was simultaneously a revolutionary and connected
with an ancient way of life, one that promised people like Lilith and
her family the right to do whatever they pleased. Rurik’s rugged
handsomeness, his ostentatious wealth, and yet also the worn look on
armor well-used, also won Lilith over. She kept a small shrine to him
hidden in her room, and threatened to have the slaves’ eyes gouged out
if ever her family found out about it.
Eventually, however, it became clear that Lilith would not grow out
of her obsession with the dark arts, that this was no mere phase. They
had three other children, and did not need Lilith to continue the line.
They sold Lilith into slavery, far from their estate in Rin. Thus she
who had been Lilith de Magi became Lilith de Nemo, her name erased from
the family records.
One might think that this humbling might give Lilith some
perspective, or teach her some empathy. One clearly does not know Lilith
very well. She wanders the streets alone, going about her duties, and
when the other slaves speak with her, it is often a screaming match
quelled only by harsh glares or harsh blows. She is a noble, she
declares, and someday the world will know it and regret what it has done
to her.
Lilith might have gone on declaring it to the end of the world. She
might have spent all her time running errands from Ascalon City to
Ashford and back again. She might have climbed out of the wreckage of
the Searing and been press-ganged into a work crew, and rapidly worked
to death. If she was very lucky, she may have lived long enough to be
devoured by Charr or dragged across the Shiverpeaks by her beloved Rurik
(or perhaps that would make her unlucky?).
But she didn’t.
Instead, she met a friend. Of sorts.
She was on the road from Ascalon City to Ashford Village, a road she
walked often. Once she had tried to run away, fleeing into the river
that cut through the wilderness, but at nightfall she was set upon by a
pack of Skale. Fleeing them, she ran straight into the guards, who
apprehended her and dragged her back to her owner for a stiff beating.
Thus it was that she trudged on towards Ascalon City, having learned
not to run away, and having learned to resent it, when she was accosted
by a stranger. Dressed in blood red leather plates and carrying a
Necromancer’s wand. He stopped and looked at Lilith as she passed, and
then shouted “come here!” Lilith ignored him. “Girl, I said come here!”
Verata demanded. Lilith froze in her tracks, swallowed, and then turned
to see what Verata wanted.
“Yes, sir?” was all she managed to squeak out (her delusions of
revenge aside, a slave’s life had beaten a good deal of defiance out of
her).
He glared at her. Examined her carefully. “Where did that scar come from?” he demanded.
“It’s a ritual scar of the dark arts,” Lilith says, “I…” she cannot
find the words to describe her fall from grace, and instead finishes
with “it’s from a long time ago.”
“I see,” Verata said, his voice slurred with menace. “Follow me,” he
says, “you’ll enjoy this.” They headed down the road to see a few Skale
ambling about. Verata handed her his wand. “Kill one of them,” he
instructs. Lilith’s grip on the wand is familiar; channeling Death Magic
like this is a basic trick, one she could still remember. Her skill had
atrophied, and she had studied little to begin with, but she remained a
talented witch, and her the Skale were feeble.
With a wet, snapping noise, Verata raised up a sightless horror,
bound to his will. Lilith looked on in awe. Would that she could wield
such power again. She searches for words. Is this her chance? Her first
and last chance to embrace her destiny? She must beg this man to teach
her. She opened her mouth, but nothing came out.
But Verata found the words for her. “Come, little one,” he said, “I
will teach you how to command the dead things, the creeping things, the
leeches and the carrion. The dark arts shall fester within this nation
and then burst from its corpse and spread to others.” And he taught her,
taught her to command swarms of insects and to sustain herself on the
blood of others. She bit into his wrist and drank from his blood until
he ripped her away and proclaimed her lesson complete, leaving her with
the wand…And the power.
It was only then that she realized she had been delayed by over an hour.
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